Choreographer Rashid Ahmedov Karacev
Rashid Akhmedov - author and participated in more than 50 productions at the Opera stu-Dee them. S. Mamedov and the Theater of Musical Comedy. Sh Kurbanov, the Theater of Opera and Ballet. MFAkhundov and the Studio School at the Baku Music Academy . His performances are also on display at the Theatre of the Young Spectator, of the State Philharmonic, on most channels Az-TV.
Many fans of dance knows that Rashid Akhmedov published in the national press ("Baku" and "tower", "Baku Worker" and "Youth of Azerbaijan", etc.) more than 100 articles - creative portraits weight-ters National Ballet, reviews of performances Azgosteatra Opera and Ballet and the final concert of the Baku School of Choreography.
Many fans of dance knows that Rashid Akhmedov published in the national press ("Baku" and "tower", "Baku Worker" and "Youth of Azerbaijan", etc.) more than 100 articles - creative portraits weight-ters National Ballet, reviews of performances Azgosteatra Opera and Ballet and the final concert of the Baku School of Choreography.
Actively and fruitfully and choreographer working as a teacher: in the years to its creative account appear daily class soloists and artists ba-Summer Theatre of Musical Comedy, the current repertoire of the Opera rehearsal stu-India, and it periodically opens and independently conducts the professional courses mastery of ballet dancers and young dancers.
Performance practice choreographer also has its own characteristics. From his youth, he is only the choreography of his own, and in later years his recitals actor Times to premieres of their ba-violet, leaving them in the central parties. Thus, the Rashid Akhmedov created atBaku gave the ballet stage a gallery of original characters. This - Don Quixote from the ballet to the music of K.Karayev and St. Anthony of "Temptation of St. Anthony" by P. Hindemith, Manfred of "Memoirs of Manfred" by J. Brahms and Evil from the "Good and Evil" by T. Bakikhanov artist of " Balla-dy of the wind "by J. Kafarova and Leo from" Carnival of the Animals "by Saint-Saens. Among of other actors of his works are notable are his images, like the Lord of heaven in the "Paradise Lost" by P. Hindemith and the Wizard in the "Spring Bells» («Schlagobers») by Richard Strauss, the protagonist in "Princess of Dreams" by F. Poulenc, Elements of "The Four Seasons" by A. Glazunov, Oracle in the "Orpheus - Apollo" by Igor Stravinsky and others.
The main brainchild of Rashid Akhmedov, of course, should assume their establishment in 1982, the theater-studio Chamber Ballet Baku ("Terpsiho-ra"). It should be emphasized that this is not an entreprise steady-state with a stable repertory theater and a constant number of performers, and of fruitful working creative workshop, which annually shows the audience his new productions. After two or three premier troupe disbanded until the next drama project RZ Akhmedov.
Performance practice choreographer also has its own characteristics. From his youth, he is only the choreography of his own, and in later years his recitals actor Times to premieres of their ba-violet, leaving them in the central parties. Thus, the Rashid Akhmedov created at
The main brainchild of Rashid Akhmedov, of course, should assume their establishment in 1982, the theater-studio Chamber Ballet Baku ("Terpsiho-ra"). It should be emphasized that this is not an entreprise steady-state with a stable repertory theater and a constant number of performers, and of fruitful working creative workshop, which annually shows the audience his new productions. After two or three premier troupe disbanded until the next drama project RZ Akhmedov.
It was the initiative group of enthusiasts who helped balletmeyster carry on the stage of the Central House of officers of his graduation performance. At first, it included young dancers Opera House and par-schiesya Ballet School . Then, continuing his experiments,
Rashid Akhmedov went out with them on the republican television, periodically getting "residence" in various city committees of the Komsomol.
Rashid Akhmedov went out with them on the republican television, periodically getting "residence" in various city committees of the Komsomol.
At the of time on his stage rehearsals at
the Officers started coming talented youth-hand from other bands Baku - Azkontserta, theater-dog nor it. R.Behbutov and Theatre of Musical Comedy.
In these things, in addition to adult artists began to show themselves as students of the senior classes of ballet school. Subsequently, in connection with their own eponymous firm for the financial support of its pilot projects and original designs. He himself became an official Rashid Akhmedov hundred-myc director, moreover, confirmed his diploma manager. At that time, on-base and mutational office from time to time moved to different removable ITATION room.
There was a solid "institution" sponsors - from embassies of several states to an impressive number of oil companies and the fund to collective tivu grants for his performances. And from then on Baku Chamber Ballet op-thinned in the rank of NGO - a non-governmental organization in which there is no Permanent staff, and all its members are volunteer work, that is, free of charge.
There was a solid "institution" sponsors - from embassies of several states to an impressive number of oil companies and the fund to collective tivu grants for his performances. And from then on Baku Chamber Ballet op-thinned in the rank of NGO - a non-governmental organization in which there is no Permanent staff, and all its members are volunteer work, that is, free of charge.
"Terpsichore" is not engaged in business, and performs charity, of humanitarian programs related to the aesthetic education of the younger generation.
All performances of this public theater studio constantly carries its founder and artistic director of the unchanging Rashid Akhmedov, and the cry, they schayutsya according to his original dramaturgical development in the music never sounded on the national ballet scene. They reflect the credo ho-rheograph, based on the works of prominent composers of the twentieth century.
Often, paying tribute to the name of the company and the number of its members by the Prime Rashid Akhmedov prefers to choose the remarkable chamber works by different authors. Speeches and presentations are usually held at the Opera Studio and Theatre for Young Audiences, with the participation of precast executors: nowhere and working professionals. Typically, a student of the school of ballet.
The works of this experimental workshop widely reflection of a newspaper and magazine reviews, a television and radio programs, recitals and conferences.
During the existence of the organization here by several generations of young and aspiring dancers, which, thanks to the Chamber Ballet Baku managed to forcefully assert themselves, to reveal their creativity. From their studio source "Terpsichore" was a "platform" for the young and young people. And this, of the day, after more than 20 years, the theater continues to work proactively, creating new performances and growing fresh performing forces in the field of ballet studieskusstva Republic of Azerbaijan .
All performances of this public theater studio constantly carries its founder and artistic director of the unchanging Rashid Akhmedov, and the cry, they schayutsya according to his original dramaturgical development in the music never sounded on the national ballet scene. They reflect the credo ho-rheograph, based on the works of prominent composers of the twentieth century.
Often, paying tribute to the name of the company and the number of its members by the Prime Rashid Akhmedov prefers to choose the remarkable chamber works by different authors. Speeches and presentations are usually held at the Opera Studio and Theatre for Young Audiences, with the participation of precast executors: nowhere and working professionals. Typically, a student of the school of ballet.
The works of this experimental workshop widely reflection of a newspaper and magazine reviews, a television and radio programs, recitals and conferences.
During the existence of the organization here by several generations of young and aspiring dancers, which, thanks to the Chamber Ballet Baku managed to forcefully assert themselves, to reveal their creativity. From their studio source "Terpsichore" was a "platform" for the young and young people. And this, of the day, after more than 20 years, the theater continues to work proactively, creating new performances and growing fresh performing forces in the field of ballet studies
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