Rashid Ahmedov Karacev

https://youtu.be/1ch1om43K_ACHOREOGRAPHER
RASHID AHMEDOV
Second edition, expanded and supplemented
BAKU 2005
“CHAMBER BALLET BAKU”. 2001
  
`PREDISLOVIE

Science knows that the original-sexual elements of the dance originated at the dawn of civi-ing simultaneously with other varieties of human self-expression (singing, drawing, and mimic the game), making them syncretic phenomenon, that is, indivisible. However, the origins of ballet actually plasti-Ki to be found in ancient Greece on amphorae, vases of red - and black-figure style and the wall paintings of the ancient times. And types classic choreo-graphy has emerged in the XVII century in France, at the court of Louis XIV.
Professional ballet art in Azerbaijan originated in the 30s of the XX century thanks to the efforts of representatives of the Moscow and the St. Petersburg academic school of dance skill.

One of bright representatives of Russian dance culture is a choreographer and dancer Rashid Ahmedov, who United in his production and performance work features both the Azerbaijani and Moscow-Saint Petersburg ballet school.
Rashid Ahmedov graduated as a ballet dancer Baku choreographic-mechanical College (1975) and as choreographer of the Leningrad conservato matter to them. N. Rimsky-Korsakov (1982).
In 19834, he studied at the Moscow Institute of improvement of professional skill of workers of culture at the Bolshoi theater, specialty choreographer muses-unique theatre, where he was sent by the Ministry of culture of the Azerbaijan-tion Re+the Republic (1984). -
He completed his education in Baku on Courses of managers in American-ish human society has aisar (1999-2001).


Rashid Akhmedov – author and participated in more than 50 productions at the Opera STU-dia. Sh. Mammadova and the musical Comedy Theatre. Kurbanov, in the Theater of Opera and ballet. M. F. Akhundov and the School-Studio of the Baku music Academy. His performances have also been screened in the Theatre for Young spectators, State Philharmonic. M. Magomayev, most of the communication channels of Azerbaijan television.
Many fans of dance know that Rashid Akhmedov published in the national press ("Baku" and "Tower", "Baku worker" and "Youth of Azerbaijan", etc.) more than 100 articles – creative portraits mA-method national ballet, reviews of performances of Assosciate Opera and ballet and the final concerts of the Baku choreographic school.
Actively and fruitfully and choreographer working as a teacher: over the years to its creative account appear daily class soloists and artists BA-summer theatre of musical Comedy, the rehearsal of the current repertoire of the Opera STU-India, and it periodically opens and carries out its own courses, the professional skills of ballet dancers and novice dancers.
Performance practice of the choreographer, too, has its own characteristics. From his youth he is choreography solely his own compositions, and in later years his recitals actor times to premieres of his ballets, leaving them in Central roles. Thus, Rashid Akhmedov co-zdal at the Baku ballet stage a whole gallery of peculiar characters. This is don Quixote from the ballet to the music of K. Karaev and St. Anthony from "the Temptation of St. Anthony" by P. Hindemith, Manfred from "memories of Manfred". Brahms and Evil "Good and Evil" Bakikhanov, the Artist from "Balla-dy on the wind" I. Kafarov and the lion from "Carnival of the animals" by C. Saint-Saens. Друг6их among his acting works notable are his images such as the Lord of Paradise in "Paradise Lost" by P. Hindemith and the Magician in "Spring bells" ("Schlagobers") R. Strauss, the Protagonist in "the Princess Dream" F. Poulenc, the Elements in "the four seasons" by A. Glazunov, the Oracle in "Orpheus – Apollo" by Igor Stravinsky and others.


However, the main brainchild of Rashid Akhmedov, of course, should be considered a thief in the establishment in 1982 of the theater-Studio Chamber ballet Baku ("Teresia-RA"). It is necessary to emphasize that this enterprise is not hospital-NY theatre repertoire with a stable and constant number of performers, and PLO-motorno running a creative workshop, which annually shows the audience their new productions. After two or three Premier troupe disbanded until the next dramatic project R. Z. Akhmedov.
At first it was an initiative group of enthusiasts who helped BA-lemaster to perform on the stage of the Central house of officers in his graduation performance. Initially, it included young artists of the ballet Opera house, and teaching as contained choreographic school. Then, continuing his experiments,
Rashid Ahmedov went out with them on national television and the periodic ski getting "residence" in various city committees of the Komsomol. At the time sleeps on his stage rehearsals at the officers started to get talently-Wai youth from other bands Baku – Osconcert, Theater-dog nor them. Rashid Behbudov and musical Comedy Theatre.
6B these things, in addition to adult performers, began to show themselves with pupils from the senior CLA-Sov ballet school. Subsequently, in connection with the same company for their financial support of pilot projects and original ideas. The very same Rashid Akhmedov acquired the official status of the Director, to the same, confirming his cum Manager. In that period, the production base and the office of the company from time to time moved to different rented premises.
Have any respectable "Institute" sponsors from embassies of several States to an impressive number of oil companies and funds, giving the collection the resource grants for the conduct of his performances. And since then Chamber ballet Baku is determined by the rank NGO – non-governmental organization, which has no permanent staff and all the participants here are volunteers, i.e. unpaid.
"Terpsichore" is not engaged in business, and performs charitable, PG-human programs related to aesthetic education of the younger generation+the Oia.
All performances of the theatre-Studio always carries his unchanging founder and artistic Director of Rashid Akhmedov, and they are embodied in his original dramatic developments in the music, never heard on the national ballet stage. They reflect the credo of the choreographer, are based on the works of prominent composers of the twentieth century.
Often, paying tribute to the name of the company and the number of members of its Prime Minister, Rashid Akhmedov prefers to select chamber works of great authors. Speeches and company presentations usually take place on the Opera Studio or Theatre for Young audiences, with the participation of the precast cast: unemployed professionals and as a rule, students of the ballet school.
Works in this experimental workshop are widely reflective of the newspaper and magazine reviews, television and radio programs, creative events and conferences.
During its existence the organization has grown here more than one generation of young aspiring dancers 6I, which, thanks to the Chamber ballet Baku was able to declare with authority SEB-e, to reveal their creative potential. Since its source Studio "Terpsichore" was a "tribune" by youth, for youth. And today, after more than 20 years, the theatre continues to work proactively, creating new performances and growing fresh performing skills in the field of ballet art of Azerbaijan.

The book, written on the basis of previous publications about the Chamber ballet Baku (1988 and 1997), includes a wealth of illustrative and reference mate-Rial. Significantly expanded and updated with new information, it features-lated to the fact that the text is largely woven from quotations coffee and ha-zetnik materials previously published in Central and local press.
The publication of information is of great interest, it is designed for a wide range of readers, both professionals and Amateurs of the ballet of IP-art.