среда, 16 апреля 2014 г.
Paul Hindemith - Rashid Ahmedov Karacev. "Temptation of St. Antony" (Mov...
Choreographer Rashid Ahmedov Karacev
Rashid Akhmedov -
author and participated in more than 50 productions at the Opera stu-Dee them.
S. Mamedov and the Theater of Musical Comedy. Sh Kurbanov, the Theater of Opera
and Ballet. MFAkhundov and theStudio School at the Baku Music Academy
display at the Theatre of the Young Spectator, of the State Philharmonic, on
most channels Az-TV.
Many fans of dance knows that Rashid Akhmedov published in the national press
("Baku" and "tower", "Baku Worker" and
"Youth of Azerbaijan", etc.) more than 100 articles - creative
portraits weight-ters National Ballet, reviews of performances Azgosteatra
Opera and Ballet and the final concert of the Baku School of Choreography.
author and participated in more than 50 productions at the Opera stu-Dee them.
S. Mamedov and the Theater of Musical Comedy. Sh Kurbanov, the Theater of Opera
and Ballet. MFAkhundov and the
display at the Theatre of the Young Spectator, of the State Philharmonic, on
most channels Az-TV.
Many fans of dance knows that Rashid Akhmedov published in the national press
("Baku" and "tower", "Baku Worker" and
"Youth of Azerbaijan", etc.) more than 100 articles - creative
portraits weight-ters National Ballet, reviews of performances Azgosteatra
Opera and Ballet and the final concert of the Baku School of Choreography.
Actively and
fruitfully and choreographer working as a teacher: in the years to its creative
account appear daily class soloists and artists ba-Summer Theatre of Musical
Comedy, the current repertoire of the Opera rehearsal stu-India, and it
periodically opens and independently conducts the professional courses mastery
of ballet dancers and young dancers.
Performance practice choreographer also has its own characteristics. From his
youth, he is only the choreography of his own, and in later years his recitals
actor Times to premieres of their ba-violet, leaving them in the central
parties. Thus, the Rashid Akhmedov created atBaku
original characters. This - Don Quixote from the ballet to the music of K.Karayev
and St. Anthony of "Temptation of St. Anthony" by P. Hindemith,
Manfred of "Memoirs of Manfred" by J. Brahms and Evil from the
"Good and Evil" by T. Bakikhanov artist of " Balla-dy of the
wind "by J. Kafarova and Leo from" Carnival of the Animals "by
Saint-Saens. Among of other actors of his works are notable are his images,
like the Lord of heaven in the "Paradise Lost" by P. Hindemith and
the Wizard in the "Spring Bells» («Schlagobers») by Richard Strauss, the
protagonist in "Princess of Dreams" by F. Poulenc, Elements of
"The Four Seasons" by A. Glazunov, Oracle in the "Orpheus -
Apollo" by Igor Stravinsky and others.
The main brainchild of Rashid Akhmedov, of course, should assume their
establishment in 1982, the theater-studio Chamber Ballet Baku
("Terpsiho-ra"). It should be emphasized that this is not an
entreprise steady-state with a stable repertory theater and a constant number
of performers, and of fruitful working creative workshop, which annually shows
the audience his new productions. After two or three premier troupe disbanded
until the next drama project RZ Akhmedov.
fruitfully and choreographer working as a teacher: in the years to its creative
account appear daily class soloists and artists ba-Summer Theatre of Musical
Comedy, the current repertoire of the Opera rehearsal stu-India, and it
periodically opens and independently conducts the professional courses mastery
of ballet dancers and young dancers.
Performance practice choreographer also has its own characteristics. From his
youth, he is only the choreography of his own, and in later years his recitals
actor Times to premieres of their ba-violet, leaving them in the central
parties. Thus, the Rashid Akhmedov created at
original characters. This - Don Quixote from the ballet to the music of K.Karayev
and St. Anthony of "Temptation of St. Anthony" by P. Hindemith,
Manfred of "Memoirs of Manfred" by J. Brahms and Evil from the
"Good and Evil" by T. Bakikhanov artist of " Balla-dy of the
wind "by J. Kafarova and Leo from" Carnival of the Animals "by
Saint-Saens. Among of other actors of his works are notable are his images,
like the Lord of heaven in the "Paradise Lost" by P. Hindemith and
the Wizard in the "Spring Bells» («Schlagobers») by Richard Strauss, the
protagonist in "Princess of Dreams" by F. Poulenc, Elements of
"The Four Seasons" by A. Glazunov, Oracle in the "Orpheus -
Apollo" by Igor Stravinsky and others.
The main brainchild of Rashid Akhmedov, of course, should assume their
establishment in 1982, the theater-studio Chamber Ballet Baku
("Terpsiho-ra"). It should be emphasized that this is not an
entreprise steady-state with a stable repertory theater and a constant number
of performers, and of fruitful working creative workshop, which annually shows
the audience his new productions. After two or three premier troupe disbanded
until the next drama project RZ Akhmedov.
It was the
initiative group of enthusiasts who helped balletmeyster carry on the stage of
the Central House of officers of his graduation performance. At first, it included
young dancers Opera House and par-schiesyaBallet School
Then, continuing his experiments,
Rashid Akhmedov went out with them on the republican television, periodically
getting "residence" in various city committees of the Komsomol.
initiative group of enthusiasts who helped balletmeyster carry on the stage of
the Central House of officers of his graduation performance. At first, it included
young dancers Opera House and par-schiesya
Then, continuing his experiments,
Rashid Akhmedov went out with them on the republican television, periodically
getting "residence" in various city committees of the Komsomol.
At the of time on
his stage rehearsals at
his stage rehearsals at
the Officers
started coming talented youth-hand from other bandsBaku
R.Behbutov and Theatre of Musical Comedy.
started coming talented youth-hand from other bands
R.Behbutov and Theatre of Musical Comedy.
In these things,
in addition to adult artists began to show themselves as students of the senior
classes of ballet school. Subsequently, in connection with their own eponymous
firm for the financial support of its pilot projects and original designs. He
himself became an official Rashid Akhmedov hundred-myc director, moreover,
confirmed his diploma manager. At that time, on-base and mutational office from
time to time moved to different removable ITATION room.
There was a solid "institution" sponsors - from embassies of several
states to an impressive number of oil companies and the fund to collective tivu
grants for his performances. And from then on Baku Chamber Ballet op-thinned in
the rank of NGO - a non-governmental organization in which there is no
Permanent staff, and all its members are volunteer work, that is, free of
charge.
in addition to adult artists began to show themselves as students of the senior
classes of ballet school. Subsequently, in connection with their own eponymous
firm for the financial support of its pilot projects and original designs. He
himself became an official Rashid Akhmedov hundred-myc director, moreover,
confirmed his diploma manager. At that time, on-base and mutational office from
time to time moved to different removable ITATION room.
There was a solid "institution" sponsors - from embassies of several
states to an impressive number of oil companies and the fund to collective tivu
grants for his performances. And from then on Baku Chamber Ballet op-thinned in
the rank of NGO - a non-governmental organization in which there is no
Permanent staff, and all its members are volunteer work, that is, free of
charge.
"Terpsichore"
is not engaged in business, and performs charity, of humanitarian programs
related to the aesthetic education of the younger generation.
All performances of this public theater studio constantly carries its founder
and artistic director of the unchanging Rashid Akhmedov, and the cry, they
schayutsya according to his original dramaturgical development in the music
never sounded on the national ballet scene. They reflect the credo
ho-rheograph, based on the works of prominent composers of the twentieth
century.
Often, paying tribute to the name of the company and the number of its members
by the Prime Rashid Akhmedov prefers to choose the remarkable chamber works by
different authors. Speeches and presentations are usually held at the Opera
Studio and Theatre for Young Audiences, with the participation of precast
executors: nowhere and working professionals. Typically, a student of the
school of ballet.
The works of this experimental workshop widely reflection of a newspaper and
magazine reviews, a television and radio programs, recitals and conferences.
During the existence of the organization here by several generations of young
and aspiring dancers, which, thanks to the Chamber Ballet Baku managed to
forcefully assert themselves, to reveal their creativity. From their studio
source "Terpsichore" was a "platform" for the young and
young people. And this, of the day, after more than 20 years, the theater
continues to work proactively, creating new performances and growing fresh
performing forces in the field of ballet studieskusstva
Republic of Azerbaijan
is not engaged in business, and performs charity, of humanitarian programs
related to the aesthetic education of the younger generation.
All performances of this public theater studio constantly carries its founder
and artistic director of the unchanging Rashid Akhmedov, and the cry, they
schayutsya according to his original dramaturgical development in the music
never sounded on the national ballet scene. They reflect the credo
ho-rheograph, based on the works of prominent composers of the twentieth
century.
Often, paying tribute to the name of the company and the number of its members
by the Prime Rashid Akhmedov prefers to choose the remarkable chamber works by
different authors. Speeches and presentations are usually held at the Opera
Studio and Theatre for Young Audiences, with the participation of precast
executors: nowhere and working professionals. Typically, a student of the
school of ballet.
The works of this experimental workshop widely reflection of a newspaper and
magazine reviews, a television and radio programs, recitals and conferences.
During the existence of the organization here by several generations of young
and aspiring dancers, which, thanks to the Chamber Ballet Baku managed to
forcefully assert themselves, to reveal their creativity. From their studio
source "Terpsichore" was a "platform" for the young and
young people. And this, of the day, after more than 20 years, the theater
continues to work proactively, creating new performances and growing fresh
performing forces in the field of ballet studies
вторник, 15 апреля 2014 г.
РАШИД АХМЕДОВ КАРАЦЕВ. Фото-фильм "Камерный балет"
Baku Chamber Ballet (" Terpsichore ") - an
independent public youth theater studio. Originated in 1982 /83 . efforts of a
group of enthusiastic professionals, headed by Baku Rashid Akhmedov ballet
dancer , choreographer graduate department of the Leningrad Conservatory.
Rimsky-Korsakov Conservatoire (class N. N. Boyarchikov).
independent public youth theater studio. Originated in 1982 /83 . efforts of a
group of enthusiastic professionals, headed by Baku Rashid Akhmedov ballet
dancer , choreographer graduate department of the Leningrad Conservatory.
Rimsky-Korsakov Conservatoire (class N. N. Boyarchikov).
Collective conceived as an experimental platform for the
creation of one-act chamber productions scenarios of its leader, the music,
mostly classics of the twentieth century , which first sounded on the ballet
stage .
In the first 15 years of the studio showed ballets by Azerbaijani composers of
the score : " Pomnte ! " Melikov (1985) and " East poem "
Bakihanov T. (1989), "In memory of Nizami" Mirzoev M. (1986) and
"Inspiration" A. Ali -Zadeh (1986), " Good and Evil "
Bakihanov T. (1993) and "Don Quixote" K.Karayev (1994), "The
Ballad of the Wind,"Kafarov
I.
inspired plastic solutions literary and pictorial images that defined their
genre and stylistic affiliation: poem , ode , gazelles , on the one hand, and
the engraving , historical painting , group portrait - on the other.
creation of one-act chamber productions scenarios of its leader, the music,
mostly classics of the twentieth century , which first sounded on the ballet
stage .
In the first 15 years of the studio showed ballets by Azerbaijani composers of
the score : " Pomnte ! " Melikov (1985) and " East poem "
Bakihanov T. (1989), "In memory of Nizami" Mirzoev M. (1986) and
"Inspiration" A. Ali -Zadeh (1986), " Good and Evil "
Bakihanov T. (1993) and "Don Quixote" K.Karayev (1994), "The
Ballad of the Wind,"
inspired plastic solutions literary and pictorial images that defined their
genre and stylistic affiliation: poem , ode , gazelles , on the one hand, and
the engraving , historical painting , group portrait - on the other.
Then, during the second half of the 90s . and further,
Baku Chamber Ballet productions showed the music of Western composers: "
Memories of Manfred " to the music on Brahms’s 3 Symphony (1987) and "
Carnival of the Animals " by Saint-Saens (1987), " The Temptation of
St. . Anthony " to the music P. Hindemith (1995) and "Spring Bells »
[«Schlagobers»] Richard Strauss (1999), "Paradise
Lost" Hindemith (2001) and " Princess of Dreams " by F. Poulenc
(2000) , etc. These performances marked genres such as dance symphony , ballet
is a parable , a performance- review and other.
Baku Chamber Ballet productions showed the music of Western composers: "
Memories of Manfred " to the music on Brahms’s 3 Symphony (1987) and "
Carnival of the Animals " by Saint-Saens (1987), " The Temptation of
St. . Anthony " to the music P. Hindemith (1995) and "Spring Bells »
[«Schlagobers»] Richard Strauss (1999), "
Lost" Hindemith (2001) and " Princess of Dreams " by F. Poulenc
(2000) , etc. These performances marked genres such as dance symphony , ballet
is a parable , a performance- review and other.
In the XXI century Baku Chamber Ballet introduced a new
stage work: " Orfny - Apollo" by Igor Stravinsky (2002), "
Solomon and Shulamith" Schoenberg (2006), " Harold In Ialii " by
H. Berlioz (2009 ), etc. These projects marked motifs expressionism and
postmodernism. Theater productions studio embodied by choreographic vocabulary,
in which classical and character dance added elements of modern-dance, free
plastics and effective dance pantomime.
stage work: " Orfny - Apollo" by Igor Stravinsky (2002), "
Solomon and Shulamith" Schoenberg (2006), " Harold In Ialii " by
H. Berlioz (2009 ), etc. These projects marked motifs expressionism and
postmodernism. Theater productions studio embodied by choreographic vocabulary,
in which classical and character dance added elements of modern-dance, free
plastics and effective dance pantomime.
"Терпсихора"
не занялась делом (бизнес) и выполнена благотворительность, гуманитарных
программ имела отношение к эстетическому образованию младшего поколения.
не занялась делом (бизнес) и выполнена благотворительность, гуманитарных
программ имела отношение к эстетическому образованию младшего поколения.
Все
исполнение этих общественных театральных постоянно переносов студии основатель
и художественный директор неменяющегося Rashid Akhmedov, и крик, они schayutsya
согласно его оригинальной dramaturgical разработке в музыке никогда не
звучанной на национальной балетной сцене. Они отражают кредо ho-rheograph,
основанное на работах выдающихся композиторов двадцатого столетия.
исполнение этих общественных театральных постоянно переносов студии основатель
и художественный директор неменяющегося Rashid Akhmedov, и крик, они schayutsya
согласно его оригинальной dramaturgical разработке в музыке никогда не
звучанной на национальной балетной сцене. Они отражают кредо ho-rheograph,
основанное на работах выдающихся композиторов двадцатого столетия.
Часто,
отдавая должное в имя компании и количество своих участников Началом Rashid
Akhmedov предпочитает выбирать замечательные работы палаты другими авторами.
Речь и представление обычно проведены в Оперной Студии и Театре для Молодых
Аудиторий, с участием precast исполнителей: нигде и прокладывая профессионалов.
Обычно, студент школы балета.
отдавая должное в имя компании и количество своих участников Началом Rashid
Akhmedov предпочитает выбирать замечательные работы палаты другими авторами.
Речь и представление обычно проведены в Оперной Студии и Театре для Молодых
Аудиторий, с участием precast исполнителей: нигде и прокладывая профессионалов.
Обычно, студент школы балета.
Работы
этого экспериментального широко отражения мастерской газетных и обзоров
журнала, телевизионная и радио программы, изложение и конференции.
В течениеэтого экспериментального широко отражения мастерской газетных и обзоров
журнала, телевизионная и радио программы, изложение и конференции.
существования организации здесь несколькими поколениями молодых и честолюбивых
танцовщиков, какое, благодаря Палате Ballet Baku удалось решительно утверждать
самим, чтобы показывать их творческую силу. Из их источника студии
"Терпсихоры" было "платформой" для молодого и молодого
людей. И это, дня, после более, чем 20 лет, театр остается прокладывать
proactively, создавая новое исполнение и растущее свежий выполнение нажимают
область балетных исследований kusstva http://youtu.be/rTAXziyKl6M
суббота, 12 апреля 2014 г.
Rashid Ahmedov Karacev IGOR STRAVINSKY Orpheus -- Apollon" - 2
«ОРФЕЙ – АПОЛЛОН» (2002)
Камерная симфония в двух частях
Игорь Стравинский. «Орф*ей» и
«Аполлон Мусагет»
«Аполлон Мусагет»
Автор сценария и
балетмейстер-постановщик – Рашид Ахмедов
балетмейстер-постановщик – Рашид Ахмедов
Художник и педагог-репетитор
– Рашид Ахмедов
– Рашид Ахмедов
Премьера: 27 апреля 2002 года,
Бакинская музыкальная академия
Бакинская музыкальная академия
Процесс I
ПЕЧАЛЬ ПЕВЦА
Древние Дельфы. Площадь перед
входом в храм: витая лестница и деревянные хоры, скрытые занавесом.
входом в храм: витая лестница и деревянные хоры, скрытые занавесом.
Пролог. Оракул представляет Орфея,
который в одночасье теряет свою
возлюбленную – Эвридику, и ее тень скрывается в храме.
который в одночасье теряет свою
возлюбленную – Эвридику, и ее тень скрывается в храме.
ОРФЕЙ
Две Жрицы храма Аполлона исполняют
ритуальный танец плача. Появляются Нимфы, олицетворяющие четыре стихии (Саламандра,
Сильфида, Наяда и Дриада), но и их заботы безрезультатны: Оракул-Орфей вновь
поникает головой. Одна из дев напоминает ему жену, и он, приняв ее за тень
любимой, устремляется ей вослед. Нимфы, исполненные сострадания, сокрушаются по
поводу странного поведения их кумира.
ритуальный танец плача. Появляются Нимфы, олицетворяющие четыре стихии (Саламандра,
Сильфида, Наяда и Дриада), но и их заботы безрезультатны: Оракул-Орфей вновь
поникает головой. Одна из дев напоминает ему жену, и он, приняв ее за тень
любимой, устремляется ей вослед. Нимфы, исполненные сострадания, сокрушаются по
поводу странного поведения их кумира.
Выходят Служки храма, и певец
опять грезит наяву. Все опечалены, увидев артиста в черном траурном плаще; он, как потерянный,
бродит между фигурами подруг.
опять грезит наяву. Все опечалены, увидев артиста в черном траурном плаще; он, как потерянный,
бродит между фигурами подруг.
Тем временем храмовые Жрицы
совершают новый обряд – культ поминовения, и горестный Орфей тоже принимает
участие в ритуальных действиях, а затем неожиданно исчезает. *
совершают новый обряд – культ поминовения, и горестный Орфей тоже принимает
участие в ритуальных действиях, а затем неожиданно исчезает. *
Выбегают Нимфы и Служки, которые
пытаются скрыть охватившее их волнение: разъяренный Орфей требует от них
вернуть Эвридику в этот мир. Насмерть перепуганные служители собора опускаются
на колени, моля небеса о чуде. Успокоенный Орфей тоже опускается в молитве на
землю, а над ним Нимфы и Жрицы в надежде простирают руки вверх.
пытаются скрыть охватившее их волнение: разъяренный Орфей требует от них
вернуть Эвридику в этот мир. Насмерть перепуганные служители собора опускаются
на колени, моля небеса о чуде. Успокоенный Орфей тоже опускается в молитве на
землю, а над ним Нимфы и Жрицы в надежде простирают руки вверх.
Процесс II
ТОРЖЕСТВО ФЕБА
Жрицы и Служки возвещают о прибытии
бога солнца. После церемонии поклонов Оракул-Аполлон восседает у входа в храм.
бога солнца. После церемонии поклонов Оракул-Аполлон восседает у входа в храм.
Пред очами гостя предстает нимфа
Терпсихора – муза лирического вдохновения, магическая пляска которой
завораживает Аполлона, даря ему на миг забвение.
Терпсихора – муза лирического вдохновения, магическая пляска которой
завораживает Аполлона, даря ему на миг забвение.
Выходит новая муза, олицетворяющая
поэтическое начало в искусстве, а с ней и остальные ее сестры. Протагонистка
тщетно старается примирить тщеславных и эгоистичных харит, завидующих успеху
своей подруги. Однако воспитанные нимфы внешне спокойно завершают свое
выступление перед меценатом. Конфликт между сестрами исчерпан.
поэтическое начало в искусстве, а с ней и остальные ее сестры. Протагонистка
тщетно старается примирить тщеславных и эгоистичных харит, завидующих успеху
своей подруги. Однако воспитанные нимфы внешне спокойно завершают свое
выступление перед меценатом. Конфликт между сестрами исчерпан.
Аполлон намерен совершить
праздничное богослужение в храме. Не мудрствуя лукаво, патрон выбирает себе в
партнерши статную Терпсихору. Хор харит приветствует эту идею.
праздничное богослужение в храме. Не мудрствуя лукаво, патрон выбирает себе в
партнерши статную Терпсихору. Хор харит приветствует эту идею.
В центре строения
священнодействует сам Аполлон, дипломатически одаривая всех муз одинаковым,
равным вниманием.
священнодействует сам Аполлон, дипломатически одаривая всех муз одинаковым,
равным вниманием.
В разгар буколического
торжества вбегают две Жрицы, которые
напоминают хозяину о горе Орфея. Их «щебетание» и воркотня трогают сердце
небожителя, – он готов исполнить просьбу своего любимого певца.
торжества вбегают две Жрицы, которые
напоминают хозяину о горе Орфея. Их «щебетание» и воркотня трогают сердце
небожителя, – он готов исполнить просьбу своего любимого певца.
Музы выстраиваются в ряд, а Жрицы
храма поддерживают Орфея в этот трудный для него час. И вот, о чудо! – из
собора выходит Эвридика с потерянной лирой своего возлюбленного. Они
соединяются, и тянут обе руки к небу, славя Искусство и его покровителя –
Аполлона.
храма поддерживают Орфея в этот трудный для него час. И вот, о чудо! – из
собора выходит Эвридика с потерянной лирой своего возлюбленного. Они
соединяются, и тянут обе руки к небу, славя Искусство и его покровителя –
Аполлона.
Действующие лица и исполнители:
Орак*ул: Орфей и Аполлон – Рашид
Ахмедов
Ахмедов
Сильфида, Терпсихора – Кюбра Ахмедова
Наяда – Анастасия Малюкова
Жрицы – Джема Бабаева и Сабина Агаева
Дриада – Сабина Шахмурадова
Саламандра – Фидан Ганизаде
Тень Эвридики – Татьяна Рахиль
Служки храма, музы – учащиеся хореографического
училища
http://youtu.be/Kag05N-fR1A
училища
пятница, 11 апреля 2014 г.
Rashid Ahmedov Karacev: "Don Quixote" Gara Garayev (Baku Music Academy)
Gara Garayev
"Don Quixote" (1993)
Fantasy ballet in 9 wanderings
Written and choreographer - Rashid Akhmedov
Premiere: December 20, 1993
Fantasy ballet in 9 wanderings
Written and choreographer - Rashid Akhmedov
Premiere: December 20, 1993
FACES
Dryad
Wanders along the deserted plain dull
wanderer . He stumbles upon a half-dry trees - Koryak . In each of the "
Dryad " imagining him lurking enchanted beauty . But he vainly chasing
elusive shadows faces . Wanderer exhausted lowering TO ANY ground.
VISION . FANTASY .
It is surrounded by a host of Graces , who in his fevered minds are woven into
intricate patterns , teasing and enticing character. One of them agile, nimble
Panza, which supports a traveler in his loneliness . But providence separates friends.
Innkeeper KIterIA
Wanderer is currently unknown city where young person sarcastically
welcomed the hapless traveler, exuding the right and left absurd compliments.
Suddenly it seems that crafty Wives turn into millstones . Smitten such "
treachery ", he falls in horror .
DELIRIUM
Driven mad by fear dreamer fancies that it pursues a knight of the moon, from
which it protects the faithful Panza . However tireless pursuer battling
traveler.
Dulcinea del Toboso
Wanderer delirious sees Innkeeper transformed into a beautiful lady who
would like to help in a hurry lover, caressing him, heals his wound. But, alas
, the mirage dissipated and beloved face melts into dusk.
reverie
His consciousness stirs vision. Appears Panza, which becomes the new
hope of a madman . But the fog obscures again clouded the mind of the dreamer .
QUEEN
Imagination brings stranger to the royal palace , where the maid of honor
sedately circling in Pavani . Blinded luxury guest, forgetting about any rules
of etiquette , Osma -Lebanon
dance with the queen himself . Fool banished from the palace.
cavalcade
In disarray, the traveler sees a gypsy , which he predicts a quick death
. And then in his heated imagination seems a series of images - Knight of the
Moon, Panza, the Furies pursuing and tormenting him. The stranger did not stand
: it something snapped , torn . He paused , as if in a stupor .
" DEATH " The Wanderer
Stream of consciousness of the hero , the agony .... He is afraid of
everything , clinging to life , inquisitive and wild hope looks at the faces of
the Dryads . But nowhere he finds no support . Suddenly it occurs soulful
fracture. He is preparing for the new space.
Characters :
Don Quixote - Rashid Akhmedov
Panza - Marianne Yagizarova
Keeter - Svetlana Leontief
Queen - Tatiana Barkov
Moon Knight - Alex Lisitcin
Wanderings , courtiers - Choreographic School
http://youtu.be/9BI1MQVhNNQ
Dryad
Wanders along the deserted plain dull
wanderer . He stumbles upon a half-dry trees - Koryak . In each of the "
Dryad " imagining him lurking enchanted beauty . But he vainly chasing
elusive shadows faces . Wanderer exhausted lowering TO ANY ground.
VISION . FANTASY .
It is surrounded by a host of Graces , who in his fevered minds are woven into
intricate patterns , teasing and enticing character. One of them agile, nimble
Panza, which supports a traveler in his loneliness . But providence separates friends.
Innkeeper KIterIA
Wanderer is currently unknown city where young person sarcastically
welcomed the hapless traveler, exuding the right and left absurd compliments.
Suddenly it seems that crafty Wives turn into millstones . Smitten such "
treachery ", he falls in horror .
DELIRIUM
Driven mad by fear dreamer fancies that it pursues a knight of the moon, from
which it protects the faithful Panza . However tireless pursuer battling
traveler.
Dulcinea del Toboso
Wanderer delirious sees Innkeeper transformed into a beautiful lady who
would like to help in a hurry lover, caressing him, heals his wound. But, alas
, the mirage dissipated and beloved face melts into dusk.
reverie
His consciousness stirs vision. Appears Panza, which becomes the new
hope of a madman . But the fog obscures again clouded the mind of the dreamer .
QUEEN
Imagination brings stranger to the royal palace , where the maid of honor
sedately circling in Pavani . Blinded luxury guest, forgetting about any rules
of etiquette , Osma -
dance with the queen himself . Fool banished from the palace.
cavalcade
In disarray, the traveler sees a gypsy , which he predicts a quick death
. And then in his heated imagination seems a series of images - Knight of the
Moon, Panza, the Furies pursuing and tormenting him. The stranger did not stand
: it something snapped , torn . He paused , as if in a stupor .
" DEATH " The Wanderer
Stream of consciousness of the hero , the agony .... He is afraid of
everything , clinging to life , inquisitive and wild hope looks at the faces of
the Dryads . But nowhere he finds no support . Suddenly it occurs soulful
fracture. He is preparing for the new space.
Characters :
Don Quixote - Rashid Akhmedov
Panza - Marianne Yagizarova
Keeter - Svetlana Leontief
Queen - Tatiana Barkov
Moon Knight - Alex Lisitcin
Wanderings , courtiers - Choreographic School
Rashid Ahmedov Karacev. Film "Three TV-Interview"
Choreographer Rashid Ahmedov Karacev
Rashid Akhmedov -
author and participated in more than 50 productions at the Opera stu-Dee them.
S. Mamedov and the Theater of Musical Comedy. Sh Kurbanov, the Theater of Opera
and Ballet. MFAkhundov and theStudio School at the Baku Music Academy
display at the Theatre of the Young Spectator, of the State Philharmonic, on
most channels Az-TV.
Many fans of dance knows that Rashid Akhmedov published in the national press
("Baku" and "tower", "Baku Worker" and
"Youth of Azerbaijan", etc.) more than 100 articles - creative
portraits weight-ters National Ballet, reviews of performances Azgosteatra
Opera and Ballet and the final concert of the Baku School of Choreography.
author and participated in more than 50 productions at the Opera stu-Dee them.
S. Mamedov and the Theater of Musical Comedy. Sh Kurbanov, the Theater of Opera
and Ballet. MFAkhundov and the
display at the Theatre of the Young Spectator, of the State Philharmonic, on
most channels Az-TV.
Many fans of dance knows that Rashid Akhmedov published in the national press
("Baku" and "tower", "Baku Worker" and
"Youth of Azerbaijan", etc.) more than 100 articles - creative
portraits weight-ters National Ballet, reviews of performances Azgosteatra
Opera and Ballet and the final concert of the Baku School of Choreography.
Actively and
fruitfully and choreographer working as a teacher: in the years to its creative
account appear daily class soloists and artists ba-Summer Theatre of Musical
Comedy, the current repertoire of the Opera rehearsal stu-India, and it
periodically opens and independently conducts the professional courses mastery
of ballet dancers and young dancers.
Performance practice choreographer also has its own characteristics. From his
youth, he is only the choreography of his own, and in later years his recitals
actor Times to premieres of their ba-violet, leaving them in the central
parties. Thus, the Rashid Akhmedov created atBaku
original characters. This - Don Quixote from the ballet to the music of K.Karayev
and St. Anthony of "Temptation of St. Anthony" by P. Hindemith,
Manfred of "Memoirs of Manfred" by J. Brahms and Evil from the
"Good and Evil" by T. Bakikhanov artist of " Balla-dy of the
wind "by J. Kafarova and Leo from" Carnival of the Animals "by
Saint-Saens. Among of other actors of his works are notable are his images,
like the Lord of heaven in the "Paradise Lost" by P. Hindemith and
the Wizard in the "Spring Bells» («Schlagobers») by Richard Strauss, the
protagonist in "Princess of Dreams" by F. Poulenc, Elements of
"The Four Seasons" by A. Glazunov, Oracle in the "Orpheus -
Apollo" by Igor Stravinsky and others.
The main brainchild of Rashid Akhmedov, of course, should assume their
establishment in 1982, the theater-studio Chamber Ballet Baku ("Terpsiho-ra").
It should be emphasized that this is not an entreprise steady-state with a
stable repertory theater and a constant number of performers, and of fruitful
working creative workshop, which annually shows the audience his new productions.
After two or three premier troupe disbanded until the next drama project RZ
Akhmedov.
fruitfully and choreographer working as a teacher: in the years to its creative
account appear daily class soloists and artists ba-Summer Theatre of Musical
Comedy, the current repertoire of the Opera rehearsal stu-India, and it
periodically opens and independently conducts the professional courses mastery
of ballet dancers and young dancers.
Performance practice choreographer also has its own characteristics. From his
youth, he is only the choreography of his own, and in later years his recitals
actor Times to premieres of their ba-violet, leaving them in the central
parties. Thus, the Rashid Akhmedov created at
original characters. This - Don Quixote from the ballet to the music of K.Karayev
and St. Anthony of "Temptation of St. Anthony" by P. Hindemith,
Manfred of "Memoirs of Manfred" by J. Brahms and Evil from the
"Good and Evil" by T. Bakikhanov artist of " Balla-dy of the
wind "by J. Kafarova and Leo from" Carnival of the Animals "by
Saint-Saens. Among of other actors of his works are notable are his images,
like the Lord of heaven in the "Paradise Lost" by P. Hindemith and
the Wizard in the "Spring Bells» («Schlagobers») by Richard Strauss, the
protagonist in "Princess of Dreams" by F. Poulenc, Elements of
"The Four Seasons" by A. Glazunov, Oracle in the "Orpheus -
Apollo" by Igor Stravinsky and others.
The main brainchild of Rashid Akhmedov, of course, should assume their
establishment in 1982, the theater-studio Chamber Ballet Baku ("Terpsiho-ra").
It should be emphasized that this is not an entreprise steady-state with a
stable repertory theater and a constant number of performers, and of fruitful
working creative workshop, which annually shows the audience his new productions.
After two or three premier troupe disbanded until the next drama project RZ
Akhmedov.
It was the
initiative group of enthusiasts who helped balletmeyster carry on the stage of
the Central House of officers of his graduation performance. At first, it
included young dancers Opera House and par-schiesyaBallet School
Then, continuing his experiments,
Rashid Akhmedov went out with them on the republican television, periodically
getting "residence" in various city committees of the Komsomol.
initiative group of enthusiasts who helped balletmeyster carry on the stage of
the Central House of officers of his graduation performance. At first, it
included young dancers Opera House and par-schiesya
Then, continuing his experiments,
Rashid Akhmedov went out with them on the republican television, periodically
getting "residence" in various city committees of the Komsomol.
At the of time on
his stage rehearsals at
his stage rehearsals at
the Officers
started coming talented youth-hand from other bandsBaku
R.Behbutov and Theatre of Musical Comedy.
started coming talented youth-hand from other bands
R.Behbutov and Theatre of Musical Comedy.
In these things,
in addition to adult artists began to show themselves as students of the senior
classes of ballet school. Subsequently, in connection with their own eponymous
firm for the financial support of its pilot projects and original designs. He
himself became an official Rashid Akhmedov hundred-myc director, moreover,
confirmed his diploma manager. At that time, on-base and mutational office from
time to time moved to different removable ITATION room.
There was a solid "institution" sponsors - from embassies of several
states to an impressive number of oil companies and the fund to collective tivu
grants for his performances. And from then on Baku Chamber Ballet op-thinned in
the rank of NGO - a non-governmental organization in which there is no
Permanent staff, and all its members are volunteer work, that is, free of
charge.
in addition to adult artists began to show themselves as students of the senior
classes of ballet school. Subsequently, in connection with their own eponymous
firm for the financial support of its pilot projects and original designs. He
himself became an official Rashid Akhmedov hundred-myc director, moreover,
confirmed his diploma manager. At that time, on-base and mutational office from
time to time moved to different removable ITATION room.
There was a solid "institution" sponsors - from embassies of several
states to an impressive number of oil companies and the fund to collective tivu
grants for his performances. And from then on Baku Chamber Ballet op-thinned in
the rank of NGO - a non-governmental organization in which there is no
Permanent staff, and all its members are volunteer work, that is, free of
charge.
"Terpsichore"
is not engaged in business, and performs charity, of humanitarian programs
related to the aesthetic education of the younger generation.
All performances of this public theater studio constantly carries its founder
and artistic director of the unchanging Rashid Akhmedov, and the cry, they
schayutsya according to his original dramaturgical development in the music
never sounded on the national ballet scene. They reflect the credo
ho-rheograph, based on the works of prominent composers of the twentieth
century.
Often, paying tribute to the name of the company and the number of its members
by the Prime Rashid Akhmedov prefers to choose the remarkable chamber works by
different authors. Speeches and presentations are usually held at the Opera
Studio and Theatre for Young Audiences, with the participation of precast
executors: nowhere and working professionals. Typically, a student of the
school of ballet.
The works of this experimental workshop widely reflection of a newspaper and
magazine reviews, a television and radio programs, recitals and conferences.
During the existence of the organization here by several generations of young
and aspiring dancers, which, thanks to the Chamber Ballet Baku managed to
forcefully assert themselves, to reveal their creativity. From their studio
source "Terpsichore" was a "platform" for the young and
young people. And this, of the day, after more than 20 years, the theater
continues to work proactively, creating new performances and growing fresh performing
forces in the field of ballet studieskusstva
Republic of Azerbaijan
is not engaged in business, and performs charity, of humanitarian programs
related to the aesthetic education of the younger generation.
All performances of this public theater studio constantly carries its founder
and artistic director of the unchanging Rashid Akhmedov, and the cry, they
schayutsya according to his original dramaturgical development in the music
never sounded on the national ballet scene. They reflect the credo
ho-rheograph, based on the works of prominent composers of the twentieth
century.
Often, paying tribute to the name of the company and the number of its members
by the Prime Rashid Akhmedov prefers to choose the remarkable chamber works by
different authors. Speeches and presentations are usually held at the Opera
Studio and Theatre for Young Audiences, with the participation of precast
executors: nowhere and working professionals. Typically, a student of the
school of ballet.
The works of this experimental workshop widely reflection of a newspaper and
magazine reviews, a television and radio programs, recitals and conferences.
During the existence of the organization here by several generations of young
and aspiring dancers, which, thanks to the Chamber Ballet Baku managed to
forcefully assert themselves, to reveal their creativity. From their studio
source "Terpsichore" was a "platform" for the young and
young people. And this, of the day, after more than 20 years, the theater
continues to work proactively, creating new performances and growing fresh performing
forces in the field of ballet studies
четверг, 10 апреля 2014 г.
Rashid Ahmedov Karacev. Photos Movie EAST POEM (T.Bakihanov)
∰
«Восточная поэма» (1989) Пластическая иллюзия в трех явлениях
Тофик Бакиханов и Сиявуш Мамед-заде
(по «Персидским мотивам» С.
Есенина)
Есенина)
Автор сценария и
балетмейстер-постановщик – Рашид Ахмедов
балетмейстер-постановщик – Рашид Ахмедов
Художник – Сардар Пираеши
Педагог-репетитор – Рашид Ахмедов
Премьера: 22 марта 1989 года,
Бакинская музыкальная академия
Бакинская музыкальная академия
РОЖДЕНИЕ ПОЭТА
Родина-мать провозглашает миру о
рождении поэта: его судьба будет нелегкой, но удивительные творения поэта
принесут людям счастье.
рождении поэта: его судьба будет нелегкой, но удивительные творения поэта
принесут людям счастье.
САД ЛЮБВИ
Поэт сочиняет одну из своих поэм:
в ней он видит себя и свою Возлюбленную в саду. Попав в его пряную атмосферу,
Поэт влюбляется в белый цветок – Розу. Здесь же Муза поэта * и Родина в образе
берёзки. Видя себя окруженным прекрасными девушками, он оказывается на распутье.
в ней он видит себя и свою Возлюбленную в саду. Попав в его пряную атмосферу,
Поэт влюбляется в белый цветок – Розу. Здесь же Муза поэта * и Родина в образе
берёзки. Видя себя окруженным прекрасными девушками, он оказывается на распутье.
Появляется Чёрный человек –
изнанка его души, угрызения его совести, который издевается над Поэтом.
изнанка его души, угрызения его совести, который издевается над Поэтом.
Девушки пытаются вдохнуть в
поникшего героя новые силы, но безуспешно. Перед его взором неожиданно
предстаёт раздражающий образ: Возлюбленная в паре с Чёрным человеком
насмехаются над его чувствами, мечтами. Поэт потрясён. Его поддерживает в
трудную минуту Родина-мать.
поникшего героя новые силы, но безуспешно. Перед его взором неожиданно
предстаёт раздражающий образ: Возлюбленная в паре с Чёрным человеком
насмехаются над его чувствами, мечтами. Поэт потрясён. Его поддерживает в
трудную минуту Родина-мать.
Но герою мерещится то вянущая
Роза, то Муза, потерявшая свою животворную силу, то надменная Возлюбленная; они
стараются вывести его из состояния транса. Под влиянием чувства тоски и
безысходности Поэт протягивает руки Чёрному человеку.
Роза, то Муза, потерявшая свою животворную силу, то надменная Возлюбленная; они
стараются вывести его из состояния транса. Под влиянием чувства тоски и
безысходности Поэт протягивает руки Чёрному человеку.
Появившаяся Возлюбленная
возвращает Поэта к реальности. Понимая, что пережитое лишь его собственная
фантазия, вымысел, он подавлен. Возлюбленная уводит его из сада грёз.
возвращает Поэта к реальности. Понимая, что пережитое лишь его собственная
фантазия, вымысел, он подавлен. Возлюбленная уводит его из сада грёз.
Только Роза, не понимая, что всё
это было – сон или явь, удручена, растеряна.
это было – сон или явь, удручена, растеряна.
ЭПИЛОГ-РАЗВЯЗКА
Родина-мать предвидит трагическую
судьбу Поэта и его Возлюбленной.
судьбу Поэта и его Возлюбленной.
Мир его души, плоды его
лирического вдохновения принесут людям радость.
лирического вдохновения принесут людям радость.
Действующие лица и исполнители:
Поэт – Владислав Манаенков
Возлюбленная поэта – Ариэтта Манаенкова
Муза поэта – Людмила Зотина
Черный человек – Вячеслав Месропов
Роза, девушка в саду – Мина Аптекарь
Родина-мать – Светлана Леонтьева
Девушки-садовницы – Татьяна
Баркова, Иветта Баширова, Янина Дронова, Алия Алиева, Сабина Аббасова, Алия Хусаинова.
http://youtu.be/Wlm72lnggy8
Баркова, Иветта Баширова, Янина Дронова, Алия Алиева, Сабина Аббасова, Алия Хусаинова.
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