https://youtu.be/OtThe closed curtain three times the Gong sounded, calling for attention. Then turn excited by the nature of its themes and emotionally intense orchestral Overture, written in the tradition of romantic art. This music begins with a solemn passage of all participants in the presentation in the auditorium backstage. First there are the kids, then teenagers and finally adults performers. At the end of the room the middle of the curtain is pulled in different directions, and in this "hole" is shown smiling Muse of dance – artist in white romantic tunica and on Pointe.
In complete darkness the curtain opens. On stage turns on a Desk lamp that illuminated the Journalist sitting at a small table to the left of the audience. On the opposite side of the stage displayed the Leading figure, standing to his full height. They take turns reading poeticized the text, telling about the origins of ballet art of ancient Hellas. At this point, hanging on the back of the canvas-the screen behind shows fragments of filmstrips and slides, vividly illustrating the speech of two actors. And again there comes the felling of the world.
After a few moments, flashes of illumination, illuminated austere decoration of the site, consisting of only the "clothes" of the stage – backdrop and wings red velvet and - NR a morning canopy light colors, tilted to the side as if inviting alleged backstage theatre stage.
On vdohnovleaiushee, melodically captivating music of the 1st phenomenon productions ("Prelude") in a ballet room come two dancers, dressed in tracksuits, over to+which wearing robes and sherstenka, and in their hands Pointe shoes, towels and a watering can to wet the floor. Girls sluggish warming up, preparing for the daily training. With the growth of orchestral sonority in the audience included two boys and a cheerful welcome their colleagues. To ecstatic climax of the main theme on the front of the stage in a virtuosic classical dance sweeps the Muse of dance Terpsichore. All half-asleep actors, starting up, rushed after which fascinated their vision. They are dreamy draw hands, as if seeing the "soul full of the flight. Inspired by the artists began to taste each other some support and a separate hard movement. In class look admiringly pupils of elementary grades of the school, they are far from having such skill.
Phenomenon 2-e ("Class concert") opens the film: the Muse of dance involves kids in the hall-newmac who are doing their first steps in the art of dance. The music is March-like in the warehouse and alert by tone simulates the usual accompaniment of ballet training. "Living machines" from the children form a square, and approach them, holding on to these "rails", the students of the dance Studio. Lesson holds itself Terpsichore; demonstrates traditional primary movement "stick". Conduct new themes appear "Masks" – the characters from the plays of the children's ballet theatre: "a Doll story", "action Kibalchish", "Stork" and others.
With the change of thematic material, sounding bougie and friendly "machines" of the kids change their configuration – and now it is two parallel lines. On the front of the audience there is a replacement of the former performers new – more senior in age and experience – the students of secondary classes of the school of dance. As if growing up "by leaps and bounds", they perform the next movement (according to the order of training) that do consistently day in and day out all ballet dancers. In short, the lesson goes on its black+Edom. Logically developing this line, when the orchestra performed a slow, smooth tune, "living machines" again change their composition. This time, it is a circle, which are suitable adult artists demonstrating Adagio and the final "big Batman". At the middle of the room clearly and correctly, professionals toli dancing variations or combinations of high jumps. At the culmination of the music along with the luminaries –the SAR noveno acts and Terpsichore.
3rd event ("drama") opens the sorrowful meditation of the solo flute with the support strunnogo orchestra. Soloists, familiar from the first scene, rehearse training in the form of the number "Orpheus and Eurydice". Dancer in a free plastic, enriched with Oriental hands her poses, monologue depicts Orpheus, who had left his wife, a Nymph. He is looking for Eurydice, mentally begging her for forgiveness. The music and movements of the hero expresses his vexation and sorrow. Then, out of nowhere, both stately and forwardly see two Bacchantes, bringing a sensual charm and alluring uninhibited. Are they against the Singer, "hang" on it, ablepsia his candid caresses, waiting for a response. But Orpheus is not available for their dangerous charms. He eludes women, forcing them to chase him. But now, having widely opened both halves of the curtain in the center of the stage, his face is Nymph. Blinded by jealousy, Eurydice does not see his betrothed, but feels his presence; similar is the experience and character. The lovers, like the blind, reach to the tablet space, inadvertently trying to meet his love. Bacchantes, feeling his power over infantile characters, trying to bring them together. They do it immediately. After some struggle of emotions and moods prostitutes, finally, bring the lovers. Unable to endure the printing of suffering and horror on the face of their passions, the couple parted forever: Eurydice leaves, and Orpheus in despair falls on the floor.
The light is extinguished, and, after a brief pause, he again lights up the stage in previous decoration.
The second act opens with the phenomenon of "Warm-up", taking place on the background noise of a phonogram, in which echoes of theatre mixed with snatches of classic variations. Dancers dressed in with canices s costume tights and a tunic, tutus and tiaras, is preparing behind the scenes for his release.
Next, same long-lasting phenomenon of the performance ("Performance") is a Grand Pas A. Glazunov Petipa from the ballet "Raymonda". Here against a constant backdrop of ballet dancers show the full text of the masterpiece Peterburgs+fir masters, with all its parts – introduction, Adagio, variation and Coda.
Final 6th phenomenon (Orpheus) proposes a second time to meet with the heroes miniatures "Orpheus and Eurydice, but with the only difference that there is room in their costumes. On hero – white tights and the white band on the naked torso, and on his head a Golden laurels of the winner. Nymph dressed in a robe of pale blue tone, while the Bacchae dressed in chitons Golden yellow color with applique in the form of an olive branch across the whole costume. And another important difference of this short story from his "black and white" version was the fact that at the end of the ballet, after the fall of the Luminary to the ground, the Nymph runs to her lover, hugging, picks it up. Bacchantes with hatred and contempt, turn away from newly gained each other's spouses.
Overall this production demonstrated the ability of the Director, despite his youth, competently and skillfully to dispose of a huge number of performers (50 participants), it is advantageous to show each of the groups of the ensemble, and, in addition, revealed its ability to build a spectacular and dramatically outstanding work.
The newspaper "Youth of Azerbaijan" in his review of the premiere noted: "In honor of the dance" – this idea the great and enduring, everyday and everyday in the art of ballet, the idea of growth, of becoming a ballet dancer". In work were employed 50 performers, accurately divided into three age groups: students of the dance Studio (neophytes-birds) was turned into a ballet school students (semi-professionals), and those, in turn, grew to the level of ballet artists (craftsmen). Thus, in the plot of his play, the author has added h+shifrovanie autobiographical motifs. In the first act – "black and white" – shows rehearsals, class concert, odd hours of the life of the dancers, and the second is "color" – actors dressed in colorful costumes, they are already on the scene. Reception "ballet in the ballet" has become fundamental in this Opera; it shows the triumph of the Muse of dance Terpsichore, whose captivity Uo way inspired embodied Inna Ivanova. Lyrical heroes opus – Orpheus (Alexander Mishin) and Nymph (Vera Nekrasova) – overshadowed the plot captivating duet of longing and melancholy dreams. In the final, after the rapid variations of the action (libretto by R. Akhmedov) occurs enlightenment, hope, dreamy impulse.
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